Tag Archives: Multiplicity

Losing the plot. The Observer film quarterly, 22 March 2009

Stanley Kubrick’s 1956 film The Killing follows a prickly collection of gangsters as they plan to rob a racetrack of millions of dollars. The way that it follows them, however, was considered most unusual at the time. Right from the … Continue reading

Twister: The New Yorker on non-linearity, or cyber-realism

A great article in last week’s New Yorker, analysing the film-making technique of Tony Gilroy, finds most of the ingredients of cyber-realism – the puzzle, the loop, multiplicity of perspective and the tie – within Duplicity, his latest film. According … Continue reading